PAINTBRUSHES FOR PAINTING: THE LINER

Let’s create some foreground meadows.

I continue working with the same colors we have used before, rotating them throughout the composition.

Why?

To maintain COLOR HARMONY.

Going back to the meadows, the paint should be quite liquid so that it flows and the strokes are rigid. We vary the shades of the meadows to avoid uniformity.

We simply make random brushstrokes, playing around from one side to another.

That’s how the foreground looks.

Those little weeds and details will give it much more importance and make the layers or planes stand out.

With that, we’re saying that we have something very close, and as the detail diminishes, so does the color.

The colors become grayer, blending together, and creating that atmosphere of depth.

And all with just one brush.

That’s why I always tell you, have a Liner Brush.

I assure you that you’ll use it in ALL of your artworks.

I hope this brief information is useful to you.

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[ GIFT ]

NEW TECHNIQUE: How to Paint Hyper-Realistic Lights and Shadows in 3 Simple Steps

If you want everyone to be amazed and ask you how you achieve such realistic lights and shadows, then you need to learn this technique.

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In this VIDEO, you will learn:

The KEY element to correctly position lights and shadows so that each object shows depth and feels real.

How to calculate the color mixture for a natural look when applied to the canvas (even for faces and different skin tones).

The MAJOR mistake that many beginner painters make when mixing colors, making them appear inexperienced.

The third color in the shadow mixture that almost no one uses and how to calculate it (it is essential for cast shadows).

And much more.